The exhibit born out of The Vancouver Project II will be opening at Regent College this Wednesday. Artwork from Roger Feldman, Ginger Geyer, Kathy Hastings, Shannon Newby, Nancy Rebal & Matt Whitney will be a part of this exhibit. The title of this exhibit is "In The Making" and it contains all kinds of work done within 3d and beyond. There will be a reception at Regent College this Wednesday from 4:30-7:30pm. Great art. Great food. Great friends. We hope to see you there!
This past summer I led worship for a retreat at Laity Lodge, just outside of Kerrville, TX. Branon Dempsey was attending the retreat and interviewed me for his Worship Team Training video podcast. We spent the majority of our time talking about multi-generational worship and you can view the videos at the following links. Thanks to Branon for putting this together! There are some other interviews there, including one with Scotty Smith, that are definitely worth checking out.
I wrote a book recommendation last month for StoneWorks' MOSAIC newsletter. The book is Art In Service of the Sacred by Catherine Kapikian, and I've included the first paragraph of the review here. To read the whole article go to the last page of the September 2009 newsletter.
"Art in service of anything is a tough sell these days. If it is the sacred being served, then it is a particularly hard sell. If the art being endorsed for sacred service is visual then, well, why bother? And yet there has been a quiet push towards a renaissance of the visual arts in liturgical settings. Evidence of this new renaissance can be found in the work of Catherine Kapikian and her book, Art in Service of the Sacred..."
Keith and Kristyn Getty will be in town with their band tomorrow night and will be playing at Regent College. The concert will feature hymns they've written (In Christ Alone, How Deep The Father's Love, etc) along with some other Irish tunes. Hope to see you there!
KEITH AND KRISTYN GETTY IN CONCERT Monday, October 19th @ 7:30pm Regent College Chapel Vancouver, BC $15 for students, $18 for everyone else. (Regent College Students: PAY WHAT YOU CAN at the door!)
This past weekend I had the joy of speaking, playing music, and leading worship as a part of the Art Show on Main at Union Center Christian Church in Endicott, NY. Tamara Murphy and the crew put together a wonderful weekend of music, visual art, writing, worship and food. It was so good to see how God is working within the church to bring
about new imaginative expressions of art in the life of worship.I also had the opportunity to work with Jason Harrod. His songs continue to inspire me to keep making music and I hope we have more opportunities to work together in the not too distant future. _____________________________
On this Saturday night I will be back in Seattle at John Knox Presbyterian Church to speak about The (first) Vancouver Project. This is the last stop for this exhibit before it disperses. It is an amazing collection of work by an amazing group of artists and I highly encourage you to check it out if you have not yet had a chance. Jeremy Mangan and Matt Whitney, two artists from the project, will also be sharing about their experience. I hope to see you there at 7:00 PM. (RSVP via facebook.) _____________________________
“What if you had to go to a church that had had no music since the
early 1500s? It’s unimaginable. Yet the void you can’t imagine is
there—a 500-year lack of visual arts in Protestant churches..."
This past Sunday I was introduced as the artist-in-residence at First Baptist Church
in Vancouver, BC. As I am not completely sure what this means yet I
will keep my comments about this brief. I will say, however, that I am
very excited to have the opportunity to work with Darrell Johnson, the new Senior Pastor at First Baptist. For the past nine plus years he has been teaching and leading the MDiv program here at Regent College. He also happens to be one of the best preachers I have ever heard. His new book, The Glory of Preaching, came out not long ago and is already setting the new standard.
Edna Grenz
has been working as the Minister of Music at First Baptist for about 19
years and I am also excited to have the opportunity to learn from her.
I do know that I will be writing music from time to time that will,
hopefully, go along with where the church is at.
While I have been baptized I am not a "Baptist." I am also currently on the ordination track in the PCUSA.
This has led to some interesting conversations already and I have even
been labeled, jokingly or not, a deserter of the Presbyterian
denomination. This kind of stuff drives me crazy. This is also the very
reason why I have avoided the ordination track for so long. I have not
wanted to pick a team for fear of being boxed in by a team. I certainly
see the benefits to the process and polity of the Presbyterian system
which is why I am still "on board" so to speak. However, I have never
felt called to a denomination. My calling has always been wrapped up in
people. My artistic calling during my time in Nashville was to and with
Michael Card. My calling to the church in Seattle was with Bryan
Burton. My academic calling to Regent College involves every single
amazing person I have met here so far. And my calling into this new
artist-in-residency is towards the people I have met at First Baptist;
most especially, Darrell Johnson. God only knows what the future holds
and that suits me just fine.
Ultimately, whenever God calls us we
are being called to a person, or more specifically, to a community of
people. First and foremost, we are called into thetriune community of God. The theological types out there are instantly thinking of the word perichoresis
. I would get into that but then I might look too seminarian right now
so I will let you do your own research if you want to. Second, we are
called to the Church. With all of the re-definitions being proposed
these days I will also choose not to really get into what this means.
However, the Christian life was never meant to be lived alone. All of
this points to the kingdom of God; the one Jesus kept talking about all
of the time. And Jesus keeps calling us to himself which is ultimately
a call into community. There is no way around it. So, that being said,
the title of artist-in-community might be more fitting. We'll see...
I will be performing a concert of songs from the Prayerbook Project this coming Wednesday night at First Christian Reformed Church in Vancouver, BC. This will be my first concert in Vancouver (since 2001) and I will be singing songs from both Prayerbook, no. 1 and what will hopefully become Prayerbook, no. 2 at some point next year. Trevor Vanderveen just finished up a sermon series on the psalms and I am going to do my best not to mess up his solid teaching. I hope to see you there.
Brian Moss and songs from the Prayerbook Project Wednesday, September 16, 2009 1st Christian Reformed Church 2670 Victoria Drive - Vancouver, BC 7:30 PM
As some of you already know, this past April I resigned from my position as the Director of Worship, Music and the Arts at John Knox Presbyterian Church in Seattle, WA so that I could move to Vancouver, BC and work as the Worship and Music Coordinator for Regent College. Up to this point most of my time has revolved around leading worship in chapel, but I have a new job that kicks into high gear on Monday morning: full-time student.
For the past ten+ years I have worked as a worship leader and musician, and I have been quite comfortable doing so. (And by "comfortable" I am referring to both the good and bad connotations that could be derived from such usage.) The idea of hopping back into the shoes of a full-time student, for the first time in over ten years, fills my heart with a fair amount of fear and trepidation. The pinnacle of this anxiety revolves around beginning my studies in Hebrew. But as the Hebrew scriptures tell us, the fear of the LORD, not the fear of learning Hebrew, is the beginning of wisdom. (Proverbs 1:7) And so I enter into this new phase of life both fearful and trying not to be. If that makes any sense at all.
This kind of inbetweenness reached its zenith during this past week when I both led in new student orientation and went through new student orientation as a new student. As someone who has been both leading in worship and studying the psalms, the word "orientation" instantly triggers my love and respect for Walter Bruggemann.
Bruggemann's categorization of the psalms seems to be the most simple, profound and useful one out there:
"Human life consists in satisfied seasons of well-being that evoke gratitude for the constancy of the blessing." ergo psalms of orientation
"Human life consists in anguished seasons of hurt, alienation, suffering, and death. These evoke rage, resentment, self-pity, and hatred." ergo psalms of disorientation
"Human life consists in turns of surprise when we are overwhelmed with the new gifts of God, when joy breaks through the despair." ergo psalms of new orientation
As the new students at Regent College, myself included, worshiped together this past week, I experienced living into all three of these things at the same time. This past year has certainly been one of the most difficult of my life. While I have so much to be thankful for, I cannot deny that I have experienced so much pain as well. Bryan Burton, my pastor, good friend and old boss, wrote well of this tension in his latest blog post. The call to follow Jesus is a call that requires dying to yourself, and this kind of dying to yourself happens on many levels. (One very tangible way this is currently happening for our family is that we are living in a community house with other Regent students. So far it has been great, but it also represents a transition.) And change is never easy. To quote D.H. Lawrence:
Do you think it is easy to change? Ah, it is very hard to change and be different.
It means passing through the waters of oblivion.
In the midst of the oblivion, one does well to remember that...
God is our refuge and strength, an ever-present help in trouble.
Therefore we will not fear, though the earth give way and the mountains fall into the heart of the sea,
though its waters roar and foam and the mountains quake with their surging. Psalm 46:1-3, NIV
In an effort to sum up my random feelings on this beautiful day in Vancouver, two days before my 35th birthday, I leave you with the video journey of Christoph Rehage. The longest way is often the best way.
Barn Interior (before restoration) by Egbert van der Poel
Conservation turned into excavation when Calvin College sent off a recently donated painting, Barn Interior, by Egbert van der Poel. A flayed pig was discovered under what turned out to be excess paint that was not original to the painting. The painting had obviously been doctored to cover up the pig and we can only guess at the reasons why. What we do know is that the pig in this painting is critical to its composition. It's exclusion damages both the integrity and quality of the work.
Barn Interior (after restoration) by Egbert van der Poel
This potentially "offensive" painting is tame to our post-postmodern eyes; especially when compared to any number of other "offending" paintings that have been made since the 17th century. But if you were to hang this painting in your home which version would you choose and why?
from L to R: Ginger Geyer, Shannon Newby, Roger Feldman, Nancy Rebal, Kathy Hastings, Matt Whitney
Artists making art for churches. Churches paying artists to make art. Art that could be at home in both the church and the gallery. A free flow of ideas, generosity, encouragement and creativity. Time and space to think. A gift.
The story of the past two weeks contains all of this and much more. It is safe to say that The Vancouver Project II was a success, but the work is really just getting underway. The finishing touches are being put on some of the pieces and all will come together again for an opening at Regent College's Lookout Gallery on November 4th. From there the work will travel to the other patron churches and organizations.
A project like this could not have happened without the willingness of the artists to come together and risk working in community; more unusual than you might think. A special thanks to Roger and Ginger for leading the charge and putting together the schedule and logistics. Also at the heart of this project are the patron churches and organizations that made this possible. A huge thanks to University Presbyterian Church (Seattle), John Knox Presbyterian Church (Seattle), First Baptist Church (Vancouver), Laity Lodge (Kerrville, TX), Regent College (Vancouver) and other individual contributors (you know who you are...THANKS)!
I also want to thank those who were behind the scenes in making this happen: Duffy Lott Gibb for arranging the studio space and other logistical details; Lance Mansfield for taking care of all of the financial transactions and all other things By/For; Michelle Sudduth (and Ahna, Steve, Theo and Andy) for housing the artists.
If you are interested in hosting the artwork and you happen to be near or around Seattle, Vancouver, or Texas please let me know.
For those of you who missed it before and would like to find out more about this project read this article, "The Lost Art of Patronage."
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